Re: [microsound] RE:Need advise on fragmenting myself

[nathan d <nathand@xxxxxxxxx>]

hey.. can you post an example or a filename so i can hear an example?

i might be off, but what i think you mean is a single "percussion like" 
sample with a very short (ms) repeating or back and forth scanning loop 
point with a short amplitude envelope.

sync the loop point to the bmp of the track and play the sample back at 
different pitches being careful to maintain the loop point bmp at 
multiples of the track bmp. ofcourse its best if you have multiple 
samples with multiple amplitude envelope lenghts.. use the loop point 
trick to get different frequencies/textures on each sound.

throw the puppy through a feedback delay (ideally time sync'd at 
multiples of the track bmp) and tweak the feedback level and timing as 
you wish.

you can do it with a basic sequencer or arpeggio generator, a sampler 
and a delay unit using your judgement to sync the timings.. or get 
perfect timing with csound and map the feedback delay controls to a midi 
controller for live fun.

you get very fregmenting sounding pattern with a liquid quality of the 
feedback unit..

i think this is what you mean.. but if im off let me know..

j izam wrote:

> Hi folks,
>
>                 can anyone  explain how stuff like sogar and sora  / tetsu inoue styles of glitch music get made ? all these guys seems to have a very similiar sound or it sounds like they use the same sofwtare , am i deluded?:)(highly possible anyway).I can hear they use different musical input but what cuts and chops and fragments it in such a  glass/crystaline like fashion ?ive used alot of audio pc software like reaktor, does max do this or can anyone point me in the direction of an ens or max object that will fragement me nicely like this ?Any recommended max objects i should try ?some advice would be very cool or pointers .I simply want a good granulator i guess ?
>
> regards
>
> jachin
>
>  


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