Re: [microsound] the great depression of experimental music?

["j.frede" <jfrede@xxxxxxxxxxxxxxxxxxxxxx>]

> A few parts of this discussion have caught my eye...
>
> Might as well sprinkle a few comments about my own relationship to these
> issues.
>
> Re: artists making music for other artists, with no other audience...
>
> Those of you subjected to my spam about my series Field Effects know it's
> been going on a few years.

this wasnt really a point we were disputing,,, live performances have a 
completely different set of rules
than selling cds,,,, because for the most part,,, you can get a crowd, 
(easier for smaller cities than bigger ones)
to come enjoy great live experimental music,,,, but this doesnt mean that 
they are fans or supporters of
experimental music as a whole,,, more or less they are supporters of the 
local scene. which is great,, but i dont
think that they can fit into the discussion of "composers are the primary 
fans" debate...

and please dont anyone get me wrong, i think what aaron has done/does with 
the field effects series is beautiful
and one of the best places/atmospheres i have ever played at.... but the 
truth is its much easier to get people to
come out to social event than to support a the community.

j.frede 



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