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[microsound] [playlist] framework - 10.12.04
framework broadcasts live every friday (except the first one of each month) on resonance104.4fm in london (uk) or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm gmt, and is repeated the following wednesday between 11:00am and 12:00 noon gmt
next live broadcast: 17.12.04
~ time zone converter: http://www.thesaturnv.com/converter.html
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framework - phonography/field recording; contextual and decontextualized sound activity
presented by patrick mcginley
a long playlist of shortish tracks for this edition, including 15 or so from one of ground fault's latest releases, dave phillips' IIIII. the glue that held this show together was an amazing document by american seismologist karl v. steinbrugge, a series of recordings of earthquakes from 50's and 60's america (north and south). the wonderful thing about this document is the contexts in which we find ourselves - the situations in which the tape was already rolling: the school recital, the tapped telephone call, the concert, and the taping of vinyl. it's not the earthquake that matters, but where it finds itself.
between these cracks we heard sounds from bj nilsen (previously hazard) with his latest, and best, effort on touch, a look at an interesting new project on the local sijis label, and a listen to an old favorite, the first illusion of safety record i ever heard, 1993's water seeks it's own level. this was all kicked off with a great intro recorded in the dark room of rachael jackson, whose photos undoubtedly grace many listener's cd collections...
our next edition, coming up this friday, is the next instalment of the framework:focus series, this time featuring the incredible work of jeph jerman (previously known as hands to). listen in for a chorus of scraping and crackling, and the best under-bridge recording i've ever heard.
and again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions. send material, released or not, on any format, to the address below. we are also hoping to have live performances as often as possible, so if you are in or passing through london please get in touch!
framework
31 nevill road
london n16 8sl
uk
framework@xxxxxxxxxx
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10.12.04
this edition will be rebroadcast this wednesday, 15.12.04, at 11:00am gmt
(artist / title / album / label)
rachael jackson / framework intro
the sounds of the darkroom of a fantastic photographer, whose work can be seen gracing the website and many releases of anomalous records
http://www.anomalousrecords.com/rachael
bj nilsen / purple phase / fade to white / touch
tubular drones, insects and watery hisses from nilsen's, to me ears, most successful work for touch
http://www.bjnilsen.com, http://www.touchmusic.co.uk
karl v. steinbrugge / catalog recording #1
catalog recording #2 / a catalog of earthquake related sounds / bulletin of seismological society of america
the first is short and sweet, the second comes in the midst of what sounds like a school assembly, with a threat to cancel the dance band
http://www.seismosoc.org/publications/EQ-Sounds.html
dave phillips / int / IIIII / ground fault
a quiet, rainy ambiance is broken is continuously shattered by what may be the devil's accordion...
dp@xxxxxxxxxxxxxxxxx, http://www.groundfault.net
(os) / stockton tunnel a / what those ingredients are / sijis
gritty, lo-fi, but tonal untreated field recording an a north-eastern u.s. traffic tunnel
http://www.sijis.com
karl v. steinbrugge / catalog recording #3 / a catalog of earthquake related sounds / bulletin of seismological society of america
this is what happens when you try to get out of paying for that phone-line installation
http://www.seismosoc.org/publications/EQ-Sounds.html
(os) / bishop ca 2003 / what those ingredients are / sijis
a sound walk in gravel complete with malfunctioning mic, insects and sticks
http://www.sijis.com
karl v. steinbrugge / catalog recording #5 / a catalog of earthquake related sounds / bulletin of seismological society of america
the best yet - an extremely talkative and chipper gentleman narrates a long-running alaskan quake: "hey, that's an earthquake for sure!"
http://www.seismosoc.org/publications/EQ-Sounds.html
bj nilsen / let me know when it's over / fade to white / touch
more composed tones and insectual hissing...
http://www.bjnilsen.com, http://www.touchmusic.co.uk
dave phillips / ti / IIIII / ground fault
some guttural exclamations, demolition, and siren loops
dp@xxxxxxxxxxxxxxxxx, http://www.groundfault.net
karl v. steinbrugge / catalog recording #9 / a catalog of earthquake related sounds / bulletin of seismological society of america
a venezuelan earthquake interrupts the party, but the guests keep singing!
http://www.seismosoc.org/publications/EQ-Sounds.html
illusion of safety / scratching the surface / water seeks its own level / silent
great ios from 1993 - slow developing, then exploding, mix of field recordings and electronics
http://www.illusionofsafety.com, http://www.silentrecords.net
karl v. steinbrugge / catalog recording #10 / a catalog of earthquake related sounds / bulletin of seismological society of america
quake as heard through the needle on this skipping record - a seismically selected waltz
http://www.seismosoc.org/publications/EQ-Sounds.html
dave phillips / cho
ik
es
wh
en
we
ar
ec
on
sci
ous
eve
ry
thi
po / IIIII / ground fault
this series of very short abrupt tracks intertwined with ios' building climax, with one long quiet piece to finish
dp@xxxxxxxxxxxxxxxxx, http://www.groundfault.net
illusion of safety / rim / water seeks its own level / silent
alarms and their harmonics trill with birds and other mechanical creatures
http://www.illusionofsafety.com, http://www.silentrecords.net
karl v. steinbrugge / catalog recording #11 / a catalog of earthquake related sounds / bulletin of seismological society of america
the luckiest guy in the world nearly loses his head
http://www.seismosoc.org/publications/EQ-Sounds.html
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framework intro submissions:
1) take yourself and an audio recording device to a location of your choice
2) record for AT LEAST 1 minute before you -
3) read the following text:
welcome to framework.
framework is a show consecrated to field recording, and it's use in composition.
field recording, phonography, the art of sound-hunting; open your ears and listen!
4) continue your recording for AT LEAST 2 minutes after you've finish speaking
5) send the recording on any format to the address above, or as an mp3 via email
thanks!