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Re: [microsound] essay on TWiki site



Its nice to see some kind of defense of poor old Adorno on this list.

I for one would like to see a better critique of Adorno than "he probably couldn't dance."

I suspect something like

http://www2.rz.hu-berlin.de/fpm/texte/adorno.htm

is more relevant now in the age of global entertainment than at the time it was written.

Does anyone one have a better critique than that he had a tight sphincter?
?



On Tuesday, January 18, 2005, at 09:56 PM, Bill Ashline wrote:

From: Bill Ashline <ashline@xxxxxxxxx>
Date: Tue Jan 18, 2005  9:56:27 PM US/Eastern
To: microsound <microsound@xxxxxxxxxxxxx>
Subject: Re: [microsound] essay on TWiki site
Reply-To: microsound <microsound@xxxxxxxxxxxxx>
Reply-To: Bill Ashline <ashline@xxxxxxxxx>

On Sat, 15 Jan 2005 14:38:55 -0500, Matthew Mitchell
<matmi@xxxxxxxxxxxxx> wrote:

In those Adorno quotes, there's certainly a persistence of attempts to
present as fact something that is essentially a matter of personal taste, which
is ultimately what makes music criticism so suspect.

No. There's an attempt to read music according to its unquestioned ideological alignments. Adorno was far too subtle to simply look for a justification for his own tastes. that would be an unbelievably dumb reading of Adorno. Adorno was rather looking at culture after industrial capitalism to interrogate its most degrading aspects. We're not talking Stanley Crouch here--we're talking a stellar social thinker forced into exile during the period of Nazi control of Germany. If anything, Adorno was overly sensitive to the degrading cultural conditions that produced the Nazis, which is why he was wrong about jazz. But he wasn't necessarily wrong about certain aspects of popular culture. It's easy to forget that jazz was a popular form, perhaps the preeminent one, when Adorno and Horkheimer wrote the Dialectic of Enlightenment.

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