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Submit a series of instructions - which I carry out [together with friends, the public, patches, etc.] to create the piece/program. Texts may/will be shifted, transformed, layered, etc as/if necessary. Dialogue will be initiated. Due credit(s) will given.
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2005-01-16 00:00:00

Jonathan Coleclough

[as] is [a single transition]

score: Jonathan Coleclough [December 2004]
execution: Benjamin Green
Make two field recordings, each an hour long. Play both recordings simultaneously, but start with only one audible. Gradually change the relative volumes of the two recordings so that one fades from audible to inaudible while simultaneously the other rises from inaudible to audible. Try to change the volume slowly enough that the transition is imperceptible - so that you don't notice the volume of either recording changing. Try to change the two volumes by hand if possible, using manual controls such as faders. Stop when the transition is complete. If hour-long recordings aren't long enough, think about how to proceed.
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2005-01-23 00:00:00


Yoshida Tatsuya

as a...

...composer: [GROUP/title] RUINS/Komnigriss RUINS/Djubatchegromm KOREKYOJINN/Betwixt KOREKYOJINN/Freestone TOHKICHI/ RONRUINS/Vokshimra DAISANMYAKU-X/pirenee CICALA MVTA/Herakrion CICALA MVTA/Stara Planina ZUBI ZUVA/theme1 ZUBI ZUVA/Europe ZUBI ZUVA/Dara Cell TAIRIKUOTOKO VS SANMYAKUONNA/White Shadow AKATEN/Zipper,Camera,Wine,Petbottle,Carpentars YOSHIDA TATSUYA/Sempre Moll KOENJIHYAKKEI/Visqaguell KOENJIHYAKKEI/Arramidda Horrva
...improvisor: [NO SONG TITLES] SEKKUTSUJIINN (Yoshida Tatsuya dr/Sato Kenji bass) Daimonji (Hoppy Kamiyama:key/Nasuno Mitsuru:bass/Yoshdia:dr) RUINS RUINS Acid Mothers Temple SWR (Kawabata Makoto/Tsuyama Atsushi/Yoshida) the World Heritage (Katsui Yuji/Kido Natsuki/Nasuno Mitsuru/Yoshida) KNEAD (Haino Keiji/Sasaki Hisashi/Yoshida) Sun Head Ring (Haino Keiji/Nasuno Mitsuru/Yoshida) Haino & Yoshida Tohkichi (Fujii Satoko/Yoshida) RUINZHATPVA (Yamamoto Seiichi/Tsuyama Atsushi/Yoshida) UY (Uchihashi Kazuhisa/Yoshida)
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2005-01-30 00:00:00


Mark Trayle

one hour as 13 views of santa ana

13 audio snapshots of ex-urban LA taken at the top of the hour, subtly and sometimes not-so-subtly processed. i recorded this mid-december, whlie we were having one of our episodes of hot and dry winds from the northeast, known as the santa ana winds. they weren't particularly hot this time, but they were quite constant throughoutthe evening. the period 'audiographed' was from midnight to noon, inclusive. while making it i imagined that the audience would be lying on the floor with headphones on...
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2005-02-06 00:00:00


Achim Wollscheid

Gemini

score: Achim Wollscheid
execution: Benjamin Green
...there is one thing that came to my mind in regard to context... meaning about the place where the radio is - how about asking 10 (avarage... maybe more or less, depends on the length of your broadcast) people around the radio (meaning outside, in the street) for a title they would like to hear in the context of the radioshow Gemini? They opt for a piece they would like to hear and you chose a piece to accompany this specific piece... the choice as to what makes the link (title, sound, chance...) is up to you. Meaning the broadcast would come up as a series of pairs or couples. The questioning would, of course, have to happen some time in advance to give you time to chose. Also it might be helpful to tell the interrogated (?) the whole story... (also date/time of the broadcast).
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thankyou,
b.

....as... 2cdr
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