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Re: [microsound] Lemur!



I see your point. Though, in many cases, it entirely true that a difficult process does indeed add to art, as with anything. Nobody give's a hoot if you climb your stairs, but climb Mt. Everest and you'll get press, just as playing Beethoven on the kazoo (kitsch factor aside) is no match for Beethoven on piano. Though I disagree with the school that subscribes to process over product (as many modern electronic pieces seem to do eagerly), I think the more difficult something is, the more impressive it's achievement. All of this is only valid within reason, of course. Suggesting that we try to make the instruments as difficult as possible is nonsense as you stated. The goal is not to eliminate the possibility of art entirely, or to all but a handful of people on the planet. The goal, I think, is to reach a balance of difficulty with possibility so as to not render art impossible, but not render it so possible that it becomes meaningless through saturation.

kp


On Feb 10, 2005, at 5:57 PM, Noel Peters wrote:

So is art reduced to craft when skilled manual use of tools are
involved? If that's the case, then there's a lot less art and a lot
more craft out there than I thought. Since the sound is the art, how
is
the person directly creating the sound not an artist? See below for
some elaboration on this.


There might be a lot more craft than art about depending on your taste.
:)

The person is the artist but the process of creating the art does not
have any intrinsic aesthetic content. That is, the difficulty of the
instrument is an absurd criteria on which to base aesthetic value. Taken
to its logical extreme, we would then be forced to conclude that the
harder an instrument is to master the better is the art. Therefore in
order to make the best art we should make the instruments as primitive
and difficult as possible. Which is nonsense. And therefore ascribing
technique to the realm of aesthetics is also nonsense. :)



Noel Peters




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