The only way you get the hell out of the way when a bus sounds its horn is because you've been programmed to read that sound as a warning and an alert. That's culture, of course, but without that, it's just another sound. So back to the original question, can you create a sound that contains an inherent politics outside of a discursive form that identifies it as such? I have yet to see one solitary example that demonstrates such a possibility.
k
--------------------------------------------------------------------- To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx website: http://www.microsound.org