Re: [microsound] Re: microsound Digest 3 Jun 2005 16:58:56 -0000 Issue 1425

[dr mr <jesterorama@xxxxxxxxx>]

dear microsound list,
i was wondering, since the topic is plagiaristic music, does anyone
know about the legal story behind 'plunderphonic' kind of music?
specifically, ive been making some tracks using pop songs and im
planning on putting the mp3s up on the internet for free download - is
that in any way illegal? will i have to take them down if whoever has
the copyrights for the song i used complains?

andreas

http://www.serpenehelimusic.com/~vybbtuan/


On 6/5/05, Claudio Parodi <cla.parodi@xxxxxxxxx> wrote:
> > Date: Fri, 03 Jun 2005 15:26:55 +0200
> > To: microsound <microsound@xxxxxxxxxxxxx>
> > Wrom: LSZLKBRNVWWCUFPEGAUTFJMVR
> > Subject: plagiarism
> > Message-Id: <6.0.3.0.2.20050603151248.0241ae10@xxxxxxxxxxxxxx>
> >
> > hi list,
> > i'm currently researching plagaristic music wether microsoundish or not.
> > when i'm talking about plagiarism i don't mean it in the negative sense
> > of the word, rather in it's dadaistic/situationistic/neoistic sense as an
> > approach to break with conventions like the notion of a musician of an
> > artistic genius and questions like if not also the production of art/music
> > is rather an social collaborative process than it is original creation.
> > besides the obvious and well know examples like john oswald, negativeland
> > and the tape-beatles i'm looking for hints to artists who bundle their
> > plagiarized
> > music with a strong philosophy of plagiarism/appropriation beyond
> > we-do-because-we-can.
> >
> > sven.
> >
> 
> Hi Sven
> My favourite example is The night before the death of the sampling virus by
> Yoshihide Otomo (Extreme XCD 024 1993).
> Best.
> 
>          Claudio Parodi
>          cla.parodi@xxxxxxxxx
> 
> 
> 
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