[microsound] Re: microsound Digest 3 Jun 2005 16:58:56 -0000 Issue 1425

[Claudio Parodi <cla.parodi@xxxxxxxxx>]

> Date: Fri, 03 Jun 2005 15:26:55 +0200
> To: microsound <microsound@xxxxxxxxxxxxx>
> From: sven <sven@xxxxxxxxxxxxx>
> Subject: plagiarism
> Message-Id: <6.0.3.0.2.20050603151248.0241ae10@xxxxxxxxxxxxxx>
>
> hi list,
> i'm currently researching plagaristic music wether microsoundish or not.
> when i'm talking about plagiarism i don't mean it in the negative sense
> of the word, rather in it's dadaistic/situationistic/neoistic sense as an
> approach to break with conventions like the notion of a musician of an
> artistic genius and questions like if not also the production of art/music
> is rather an social collaborative process than it is original creation.
> besides the obvious and well know examples like john oswald, negativeland
> and the tape-beatles i'm looking for hints to artists who bundle their
> plagiarized
> music with a strong philosophy of plagiarism/appropriation beyond
> we-do-because-we-can.
>
> sven.
>

Hi Sven
My favourite example is The night before the death of the sampling virus by
Yoshihide Otomo (Extreme XCD 024 1993).
Best.

          Claudio Parodi
          cla.parodi@xxxxxxxxx



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