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[microsound] re:/write: Are all electronic music related writers bad writers?




> Has anyone else noticed how terribly articles and press materials and
> things are written? Reviews, press, just about everything.. I'm no
> professional myself but i've seen some pretty ridiculous stuff out
> there. The number one thing I see is convoluted run-ons full of 88%
> adjectives, among other things.
> 
> Anybody care to wager a guess why it's all so embarrassingly poor?


They're all freaks and perverts too, real addicts of the fast-forward
button, juiceheads who never actually listen to the music, sonophobes who
hate the shit with a passion, colon-lickers filled to the gills with
verbiage composed from the verbal effluent of the shithole they rode in on,
a black bile of spew interspersed with mixed metaphors, cowboys who never
learnt how to write to begin with, these syncophantic parasites who have no
education, can't remix the three R's for the sake of decency & clarity,
vermin with little literary acumen and certainly a distinct lack of
bourgeois taste, few even have citizenship! For the love of Hades they are
as known for speaker_fucking & deck_diving as for drunken antics, these
bastard absynthe-addicted gossip mongers .. a despicable class of human
being barely deserving of a decent cave. Scrawl the screed: the last music
writers shall be hung by the entrails of the last self-appointed critics.

Your Humble Obedient Servent,

    tobias c. van Veen,
    Ph.Y?, MR.c, etc.c.


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