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Re: [microsound] visual artists




On Feb 7, 2006, at 7:16 PM, David Powers wrote:

A lot of musicians still maintain very old fashioned ideas, on the other hand, and they are never forced to ask themselves hard aesthetic questions or consider broader questions on the nature of sound and music. They typically consider someone like John Cage to be a complete joke and crackpot!

well, even though i come from a mostly visual art background i have to take some
issue with this statement. my big eye-openers regarding experimental music came
by way of an academic music institution - Indiana University in Bloomington, IN.
this was back in '71, and in addition to being a prestigious mainstream music college
IU also had adventurous jazz and avant garde programs. Iannis Xenakis was in
residence the year that i was there, and i saw him "perform" Bohor with a 16 channel
speaker system circling the audience. in addition, i saw several recitals of new music,
including some fantastic performances of Cage's prepared piano pieces. more than
anything i got from my art studies, these experiences at age 18 totally changed my
way of thinking about sound and music and set me firmly on the sonic path i'm still
walking down. and it also had an immense impact on my visual art - most of the artists
who were pushing the boundaries of sound and visuals were interdisciplinarians,
and the intersection of art and sound was all the rage. on the other hand, the art program
at IU left a lot to be desired, and after a year i moved on to another school.
in any discipline there will be forward thinkers and those with blinders on.
just my 2 cents.
cheers
bruce


bruce tovsky
www.skeletonhome.com

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