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Re: [microsound] visual artists
On Feb 7, 2006, at 7:16 PM, David Powers wrote:
A lot of musicians still maintain very old fashioned ideas, on the
other hand, and they are never forced to ask themselves hard aesthetic
questions or consider broader questions on the nature of sound and
music. They typically consider someone like John Cage to be a complete
joke and crackpot!
well, even though i come from a mostly visual art background i have to
take some
issue with this statement. my big eye-openers regarding experimental
music came
by way of an academic music institution - Indiana University in
Bloomington, IN.
this was back in '71, and in addition to being a prestigious mainstream
music college
IU also had adventurous jazz and avant garde programs. Iannis Xenakis
was in
residence the year that i was there, and i saw him "perform" Bohor with
a 16 channel
speaker system circling the audience. in addition, i saw several
recitals of new music,
including some fantastic performances of Cage's prepared piano pieces.
more than
anything i got from my art studies, these experiences at age 18 totally
changed my
way of thinking about sound and music and set me firmly on the sonic
path i'm still
walking down. and it also had an immense impact on my visual art - most
of the artists
who were pushing the boundaries of sound and visuals were
interdisciplinarians,
and the intersection of art and sound was all the rage. on the other
hand, the art program
at IU left a lot to be desired, and after a year i moved on to another
school.
in any discipline there will be forward thinkers and those with
blinders on.
just my 2 cents.
cheers
bruce
bruce tovsky
www.skeletonhome.com
"Flying is learning how to throw yourself at the ground and miss."
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