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Re: [microsound] Physical Media - aura in an age of immaterial reproduction
On a social level, assume as a thought experiment that capitalism has been
abolished. I think here is where some very interesting, but little
addressed, questions arise:
Is musical work a form of productive labor?
yes.
In a just society, should
people be granted some form of compensation, in exchange for devoting
their lives to producing music?
yes.
Who would decide which people should get
such support, and which people will only do it as a hobby? Should artists
that do this for a living, have some obligation to sometimes produce works
of a social or public nature?
no.
Can these things be managed, without some
kind of beauracracy?
define bureaucracy.
Would we want some kind of limited market still?
Voting? Expert panels? What?
what happens is this (surprise surprise): you get capitalism all over
again.
just like the phish phans and deadheads and burners who think they can
dodge the system by thinking they can opt out. suddenly you're trading
hemp necklaces for water because without water you're gonna die in the
desert and all you know how to do is make necklaces. 'oh wow, people
who have water want my necklaces,' you think. ' i wonder if i can trade
my goods for their goods...' ta da! capitalism!
burners, heads and micronauts... they all end up creating their own
microcapitalist society in parking lots, stadium grounds, a desert, the
internet... the whole thing repeats itself, lord of the flies styles...
advertising, marketing, design, politics, hate, jealousy, envy... the
whole thing is reproduced over and over again like a somekind of genetic
mandelbrot set programmed into our very essence...
aesthetic darwinism will triumph in a proper free market society. sorry
lefties, but i'm a firm believer.
the 'best' music that nobody listens to will make money. the 'worst'
music that everybody listens to will make money. everybody is happy.
aphex twin can drive a tank and brittany spears can be driven in a limo.
flame away.
ayn graham.
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