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[microsound] Socio/political implications of microsound music?

Dear m'sounders

Sorry if that sounds like an essay title. I was wondering if anyone thought there was an explicit or even implicit sociopolitical aspect of microsound/digital music. For example, the way that lots of experimental music in the 60's was interested in non-hierarchical social and political structures which was reflected in the way that music was composed, created and consumed.



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