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[microsound] Socio/political implications of microsound music?
Dear m'sounders
Sorry if that sounds like an essay title. I was wondering if anyone thought
there was an explicit or even implicit sociopolitical aspect of
microsound/digital music. For example, the way that lots of experimental
music in the 60's was interested in non-hierarchical social and political
structures which was reflected in the way that music was composed, created
and consumed.
Discuss!
PBJ
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