Which is why so much software gets stolen, because even a lot of people who
make their living doing music (at least the ones I know), can't afford those
kind of prices... Even software I've bought, turns out to be too expensive
to keep up with the overpriced upgrades.
*Two exceptions to this that are NOT overpriced, in my opinion, are Plogue
Bidule, and Audiomulch. Much love to those developers making software that
working people, including working musicians, can afford.
These days, I have tried to get away from overpriced (or stolen) stuff and
stick with all the excellent free software that is available, as much as I
can. I hope especially to see Pure Data keep developing to be able to do
more and more things that were once the domain of expensive commercial
programs.
~David
On 8/4/06, Neil Wiernik <neil@xxxxxxxxxx> wrote:
no I meant that 99 percent of pro level software is that price. go into
any pro recording studio and you will see that 500 is the starting price
for pro apps.
On Fri, 4 Aug 2006, Rod Stasick wrote:
>
> On 2006 Aug 04, at 2:20 PM, Neil Wiernik wrote:
>
>>
>>
>> 999 percent of all software apps are 500 bucks
>
>
> Does this mean that 99.9% of all software is $50?
>
>
> Rod
>
>
>
>
>
>
> ---
> Now playing: Tod Dockstader - Clocking
>
>
>
>
>
>
>
> http://stasick.org
>
>
>
>
> ---------------------------------------------------------------------
> To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> website: http://www.microsound.org
>
>
============================
www.phoniq.net
releases available on:
www.noisefactoryrecords.com
publication:
www.vagueterrain.net
---------------------------------------------------------------------
To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
website: http://www.microsound.org