Re: [microsound] popcorn

[Derek Mason <derek.mason@xxxxxxxxx>]

You really don't know what your talking about Kyle.  Just eat your popcorn and enjoy the microsound.


> ----- Original Message -----
> From: "Kyle Klipowicz" <kyleklip@xxxxxxxxx>
> To: microsound <microsound@xxxxxxxxxxxxx>
> Subject: Re: [microsound] popcorn
> Date: Tue, 5 Dec 2006 16:34:19 -0600
> 
> 
> No, usually if you see me write a one sentence post, it's laden with
> sarcasm.
> 
> It's hard to tell subtle tone with text sometimes i guess...
> 
> ~Kyle
> 
> On 12/4/06, aleks vasic <bvasic@xxxxxxxxxxxxxxx> wrote:
> >
> > R U serious?
> >
> >
> > aLEKs
> >
> >
> > On Dec 4, 2006, at 10:17 AM, Kyle Klipowicz wrote:
> >
> > > If you happen to snag commercials, aren't you entitled to a fee for
> > > "broadcasting" them?
> > >
> > > ~Kyle
> > >
> > > On 12/3/06, Damian Stewart <damian@xxxxxxxxxx> wrote:
> > >>
> > >> msglists@xxxxxxxxxxxxx wrote:
> > >>
> > >> > "Taking it seriously" is another issue entirely. This would involve
> > >> > *actively* challenging current opinions regarding copyright law
> > >> and not
> > >> > voting for those who support and vote for copyright continuums and
> > >> draconian
> > >> > laws like the individual-restrictive, industry-favorable DMCA.
> > >>
> > >> I suspected that's what you meant, I just thought I'd play up the
> > >> other
> > >> angle ;-)
> > >>
> > >> I have built an instrument in Pure Data that is basically a
> > >> live-sampling mellotron: it takes an audio feed, partitions based on
> > >> perceived pitch, and maps it to a 12-semitone scale which I can then
> > >> play using a MIDI controller keyboard.
> > >>
> > >> I intend to perform by plugging this instrument in to the radio
> > >> waves,
> > >> using it as a base for building looped improvisations. The radio
> > >> is both
> > >> a good way of getting fresh and unexpected audio data, rather than
> > >> just
> > >> relying on prerecorded samples, but also demonstrates virtuosity, one
> > >> quality that is often perceived to be missing from laptop
> > >> performance.
> > >>
> > >> Question is, how does something like this fall under present
> > >> copyright
> > >> law?
> > >>
> > >> --
> > >> Damian Stewart
> > >> +64 27 305 4107
> > >>
> > >> f r e y
> > >> live music with machines
> > >> http://www.frey.co.nz
> > >> http://www.myspace.com/freyed
> > >>
> > >> ---------------------------------------------------------------------
> > >> To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > >> For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > >> website: http://www.microsound.org
> > >>
> > >>
> > >
> > >
> > > --
> > >
> > > http://theradioproject.com
> > > http://perhapsidid.blogspot.com
> > >
> > > (((())))(()()((((((((()())))()(((((((())()()())())))
> > > (())))))(()))))))))))))(((((((((((()()))))))))((())))
> > > ))(((((((((((())))())))))))))))))))__________
> > > _____())))))(((((((((((((()))))))))))_______
> > > ((((((())))))))))))((((((((000)))oOOOOOO
> >
> >
> > ---------------------------------------------------------------------
> > To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > website: http://www.microsound.org
> >
> >
> 
> 
> -- http://theradioproject.com
> http://perhapsidid.blogspot.com
> 
> (((())))(()()((((((((()())))()(((((((())()()())())))
> (())))))(()))))))))))))(((((((((((()()))))))))((())))
> ))(((((((((((())))())))))))))))))))__________
> _____())))))(((((((((((((()))))))))))_______
> ((((((())))))))))))((((((((000)))oOOOOOO

>


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