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[microsound] re: behold the Birotron
Actually there's a good lesson to be learned there aside from any
mechanical or business considerations.
One of the most important factors in how we recognize the sound of a
musical instrument is contained in the attack portion of a played
sound. A synthetic instrument can have anything complex or simple
there of course. But when considering acoustic sounds the vast
majority of what we associate as musical instruments have something
complex and different going on briefly at the start. There will
almost always be a momentarily different harmonic structure and
frequently a short change in pitch compared to the sustained body of
the sound. Generating an envelope function is simply not going to (re)
create this portion of the sound and a filter can add what's not
there if you just have looped sound like a Birotron.
A cello with no attack portion of the sound doesn't sound much like a
cello or arguably very interesting either. Thats not to say the
Mellotron which did include the attack is anywhere near perfect. It I
think in most people's opinion will sound more like a cello, though
the fact that every time the same note is played sounds the same
doesn't help it.
As one might guess, the digital solution widely used was to digitally
smoothly splice a short attack sound onto a sustained waveform loop.
A few rare instruments like a harpsichord have a major change in
sound on note release, so that may or may not be taken into account
too. You still have issues of the timbre being the same each time the
note is played, but it's still a step ahead of the Briotron.
Though I guess a lot of the charm of the original technology is it's
being slightly unreliable so long as it functions. I'm sure many
sound designers including commercial ventures would love to get a
chance to sample one of these. But whatever flaws there are get
captured like a snapshot and won't change. The thrill and frustration
in playing this kind of old technology is if you are lucky enough
that it's fairly playable it's in a constant flux of (hopefully)
small changes.
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