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RE: [microsound] renoise



Well, I don't use re-noise but I'd probably use the trick using my own
personal unit :)

> -----Original Message-----
> From: Arjen Schat [mailto:maskineri@xxxxxxxxx]
> Sent: dimanche 18 novembre 2007 20:17
> To: microsound
> Subject: Re: [microsound] renoise
>
>
> Thanks!
>
> If you would like to try it yourself, here is the post on the Renoise
> board with some explanation:
> http://www.renoise.com/board/index.php?
> showtopic=14704&pid=105328&st=0&#entry105328
>
>
> Kind regards,
>
> Arjen Schat.
>
>
> Op 18-nov-2007, om 20:09 heeft M-.-n het volgende geschreven:
>
> >
> > Nice one.. very tangerine dream-ish sequence !
> >
> >> -----Original Message-----
> >> From: Arjen Schat [mailto:maskineri@xxxxxxxxx]
> >> Sent: dimanche 18 novembre 2007 20:05
> >> To: microsound
> >> Subject: Re: [microsound] renoise
> >>
> >>
> >> I'm not sure if this is possible in 'normal' sequencers, but it works
> >> amazing in Renoise:
> >> http://www.youtube.com/watch?v=QWdhIJ-clZ8
> >>
> >>
> >> Kind regards,
> >>
> >> Arjen Schat.
> >>
> >>
> >> Op 16-nov-2007, om 19:21 heeft Graham Miller het volgende geschreven:
> >>
> >>> curious what kind of creative advantage/perspective this kind of
> >>> sequencer might give over more modern sequencers, like ableton live
> >>> or logic?
> >>>
> >>> is their any reason to go down this route aside from an interest in
> >>> its historical/gaming context? i know people like autechre and
> >>> whatnot claim to use them... i think maybe venetian snares too...
> >>> but i just don't see the advantage... it seems so archaic and
> >>> unintuitive to me...
> >>>
> >>> thoughts?
> >>>
> >>>
> >>> g.
> >>>
> >>>
> >>> On 16-Nov-07, at 11:58 AM, Kim Cascone wrote:
> >>>
> >>>> sorry if this has been brought up before but I remembered someone
> >>>> in a workshop being very pleased with this:
> >>>> http://www.renoise.com/
> >>>>
> >>>> anyone have any experience using this tracker?
> >>>>
> >>>
> >>> --------------------------------------------------------------------
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> >>>
> >>
> >>
> >
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> >
>
>


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