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Re: [microsound] formulaic microsound
its strange though that i found myself unable to hear
it the way i first heard it...a test for how one's
hears and aesthetisizing ideologies change...i
continue to find it compelling because the chromatic
realtionships don't seem to be easily explainable nor
an illustration of a theory like you sometimes feel in
schoenberg...but i think that what i am driving at
with the comparisons is an idea of some kind force
that moves music in a certain direction--kinds of
narrativity you could say--as opposed to music being
made because of a technical discovery, pure
experimentalism etc.
--- craquemattic <craque@xxxxxxxxxx> wrote:
> an example i would make too, i have a strange
> attraction to his music.
> there are a certain set of artists like this, who
> just draw me in by
> their uniqueness.
>
> On Feb 8, 2008, at 1:50 AM, jeff gburek wrote:
> >
> > you can see in every scriabin piece what is
> > scriabin...
>
>
j.ff gbk
http://www.futurevessel.com/orphansound
http://www.idiosyncratics.net/netlabel.html
http://www.djalma.com
http://www.mattin.org/desetxea.html
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