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Re: [microsound] pearls before swine
babilano wrote:
Do you feel it matters if your music is not heard outside a small group
of cognoscenti?
I'm much more concerned with the activity than the artefact, so I'm
relatively un-bothered about who comes to my shows, buys my offerings
etc. compared to wanting to engage more directly with as wide a range of
people as I can, especially non-specialists. I'm certainly not attached
to the idea that developing a taste for 'difficult' music is, in and of
itself, character building or some such guff.
Can that ever change?
Does it matter if it doesn't? I don't think there's anything necessarily
wrong with specialization. The problems, as I see them, that inform
categorizations of music by 'difficulty' etc., are rooted in our wider
musical / artistic culture, and the tendency for many people to be
discouraged from participation from a young age.
Or is it like expecting a monkey to appreciate the taste of ginger?
I have no expectations about that :)
--
O
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