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Re: [microsound] texture as narrative
>>> has anyone out there dealt with this issue and found what it is that makes
>>> monochromatic material 'interesting' over long periods of time?
>>> (sorry if this isn't clear I'm still waiting for the black tea to kick in)
>>> KIM
>>
>>unpredictability.
>
>
>definitely..
>
>i think also that sound design is incredibly important.. the sounds
>have to SUGGEST more than what's there.. leaving a lot of room for
>listener imagination...
>
>also, if done right, repetition can be very hypnotic.. which captures
>the listener as wel...
definetly, repetitive cycles will provide an easy sense of forward
motion...
but even without them, i think it's possible for monochromatic material
to have a sense of narritive progression if even one element varies over
time:
tonal center / textural density / timbre / or "melody" (in expanded
time-sense)
a piece i did "kyrie eleison", was an attempt at a long work that has an
absence of "events": my solution was slow accreted changes in density
and harmonic quality
you could argue that any sort of repetition constitutes an "event", which
implies a contraction of time-sense
kurt ralske
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