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Re: [microsound] failure redux
> - it is naive to think that this sort of work will fool serious
listeners
> (for long)...
And what exactly are these "serious listeners?" I suspect the definition
is just a bit circular, as in: "serious listeners" are those who know
"good music," while "good music" is that which "serious listeners"
determine to be so.
We, being here, become self-appointed "serious listeners," but is not the
reaction of a "casual user" equally valid? Music made only for "serious
listeners" tends to seek self-righteousness in claustrophilic insularity.
PS - I like the idea of Oulipo within the context of music. The thought
of taking a Perecian "Void" approach to sound has certainly started the
head-scratching here...
Joshua / Thermal / Boxman [Hako Otoko] label
mailto:thermal@xxxxxxxxx
http://www.wenet.net/~thermal/
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