Re: [microsound] the moeps project (was "live n' shit")

[jason urick <themoonstealingproject@xxxxxxxxx>]

that's the beauty of this new system. we no longer
have to make aesthetic judgemnts! beauty is in the eye
of the beholder. you have made me see the light! if i
go out to a show i am no longer worried about the end
result, i want to be dazzled by virtuosity and so on.
more notes man! more wacky time changes!!! yeah! i'll
save music i like like for home! why bother seeing
lamonte young live only to find out it is much less
live than the joshua redman show down the street. i'd
feel like a smuck.


j



--- jonah dempcy <jdempcy@xxxxxxxx> wrote:
> 
> very nice!
> 
> unfortunately the moment of execution also requires
> a certain proficiency
> which this model fails to account for, and there is
> this ever-elusive
> quality that permeates the moment of execution yet
> is somehow removed from
> it. one might say that the gestalt of all factors
> environmental, musical,
> conscious & subconscious reach a unison of yearning
> that the musician meets
> with beautiful harmony and trance inducing rhythm,
> the collective
> audience/band symbiosis reaching a state of pure
> energy where everyone is
> channelling their entire perception and
> consciousness into the virtuosity of
> the musicians and the ecstatic music being created.
> 
> so we would have to judge shows based on that too.
> 
> -jonah
> 
> ----- Original Message -----
> From: "jason urick"
> <themoonstealingproject@xxxxxxxxx>
> Subject: [microsound] the moeps project (was "live
> n' shit")
> 
> 
> > so maybe we should start graphing out live show
> > reviews as to how "live" they are. we could
> > standardize it...so all magazines and publications
> > would have to use this system. this would of
> course do
> > away with unwanteds such as editorial bias.
> >
> > example: live review:::ruins w/high rise
> >
> > ruins were first. they were extremely live with
> 8,902
> > moments of execution. a VERY LIVE show!
> 
> 
> 
>
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