Re: [microsound] New in the mail + the legend of dr. lintgen

[BJM <bent@xxxxxxxxx>]

So, by "recording and re-recording," you mean you took varying size 
pieces of a sample and laid them back to back? If so, I've done some of 
that too: piecing together tiny little slivers of samples using the 
chopper tool in Acid. It's an extremely tedious process though. Not the 
sort of thing you want to do on trial and error. That's what's nice 
about the ASR: you can tweak the parameters gradually and play around 
until something truly bizarre and sublime spits out of the speakers. I 
just wish I could have that kind of sample manipulation power on my 
computer... maybe some of the soft samplers out there do it, but not 
that I've heard of.

b

rick silva wrote:

>no hardware.. just using cubase and live mostly 
>and whatever i can get from tweaking vst plugins.. 
>the loop effect is just recording and re-recording... 
>i think that's what you were asking. no?
>
>have you all checked out the legend of dr. lintgen?
>http://www.snopes2.com/music/media/reader.htm
>
>rs
>
>----- Original Message -----
>From: "BJM" <bent@xxxxxxxxx>
>To: "microsound" <microsound@xxxxxxxxxxxxx>
>Sent: Monday, November 25, 2002 7:49 PM
>Subject: Re: [microsound] New in the mail
>
>
>  
>
>>Hey, checked out some of your audio blog and your piece on 21C. Very
>>cool on both counts. I'm impressed that you can kick out a new audio
>>piece every day. It actually sounds like a good challenge to oneself. I
>>generally have a hard time declaring a piece done, but if I had a time
>>limit...
>>
>>The article is also good food for thought. I'd love to see a day when
>>the general din of bootleg mixes, depraved mutations, glitchy treatments
>>and so forth, reach critical mass... or at least when there are so many
>>people making and sharing their own music that no one's buying Britney
>>Spears albums at Tower records any more. Well, I can dream can't I?
>>
>>BTW, I notice you do some fairly dramatic loop manipulation in your
>>bits. I do this sort of thing with my trusty old Ensoniq ASR10. Are you
>>using hardware? Or have you found software that has that kind of loop
>>manipulation power? I like the warping you can do in Live, but it's not
>>the same. The closest I've found is the Freeze GRM Tool, but even that
>>doesn't do transwaves or lfo manipulation of loop points.
>>
>>Oh and, welcome to the list.
>>
>>b
>>
>>
>>rick silva wrote:
>>
>>    
>>
>>>hi dino  and all
>>>
>>>i am also new to the list; the microsound mailing list has made
>>>weird cameos in strange places in my websurfing in the last
>>>couple of months and i thought it was a sign that i should come
>>>visit and participate     so "allow myself to introduce..... myself"
>>>i'm rick silva, i was born in sao paolo brazil in 77 but now
>>>live in boulder colorado... i have a website where i mess
>>>around with sound and noise  and sometimes it approaches
>>>music... it's at www.lightmovingintime.com ...
>>>also recently, and regarding dino's comment,
>>>i wrote a small scattered article for 21c magazine on the web
>>>and music; it's at www.21cmagazine.com
>>>
>>>cool yall,
>>>
>>>rick
>>>
>>>
>>>----- Original Message -----
>>>From: "dino lupelli" <dinolupelli@xxxxxxxxx>
>>>To: "Microsound" <microsound@xxxxxxxxxxxxx>
>>>Sent: Monday, November 25, 2002 9:14 AM
>>>Subject: [microsound] New in the mail
>>>
>>>
>>>
>>>
>>>      
>>>
>>>>Hi, I'm new in microsound and I'm glad to be part of it.
>>>>I'm not a musician but I work for an electronic festival in Italy and
>>>>        
>>>>
>for
>  
>
>>>>        
>>>>
>>>a
>>>
>>>
>>>      
>>>
>>>>radio show. For both of the project I'm searching for music communities
>>>>which are working on the concept of sharing projects in music.
>>>>I saw all the very interesting stuff on the web labels but my question
>>>>        
>>>>
>is:
>  
>
>>>>Are there some of you working on music sharing ideas by the web?
>>>>
>>>>Bye
>>>>
>>>>
>>>>Dino Lupelli
>>>>
>>>>dinolupelli@libero,it
>>>>
>>>>
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>>>>
>>>>
>>>>
>>>>
>>>>
>>>>        
>>>>
>>>
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>>>
>>>
>>>
>>>
>>>      
>>>
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>>
>>    
>>
>
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