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RE: [microsound] from Claudio Parodi



perhaps that=2Es what you discover making the music, that perfection=20
isn=2Et possible ,that errors ,by acting as boundaries ,define the piece=2E=
s=20
perimeter=2E or perhaps you get so reductionist that what is left is pure=20=

enough to evoke an 'ah ha!' in someone else ,at least a little leaning=20
spark of what you mean=2E
would anyone else be interested?
=2Ed:b=2E

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