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Re: [microsound] white middle class music
As a rather retired jungle/drum&bass/uk happyhardcore dj (who took a
long strange trip through dj'ing as a break from making silly
synthpop), I can attest to the fact that there are ravers who love
anything electronic and turn their noses up at guitars. However, there
is too much variety to assume that is even the majority.
1) I always found it ludicrous when the goths from the local black
death clubs would show up at raves dressed in glitter and shiny happy
t-shirts. These I called the "gravers."
2) On the one hand, I could not get enough of 70s classic rock for the
majority of my time involved in the ""scene"" ...
3) On the other hand, there is much more internal strife than external.
Nobody in that scene was worried about rockers, but what other
micro-genres in electronic music they liked or disliked. It was almost
like gangwars with the breaks people vs the trance people vs the
ambient people vs the massive house gang. And all those groups against
the junglists :D... and everybody against me and my happycore.
It is more rare to find the few that actually liked anything electronic
than to find those just be obsessed with their particular flavor of the
month. I think that something from europe was lost on the US junior
raver society (they all seemed so young, especially when I left): that
you don't have to be dedicated to this scene like a cult, and that in
general the crowd in europe was older and more musically "intelligent"
(for lack of a better term). Some good friends of mine in their early
40s still go back to the UK every year or so to some of the massive
events, and were always a bit disgusted by the crowds and the attitudes
here.
It's all about the music...!*
(*so long as it is exactly the music *I* like and not your crap!)
Yours,
Chris
On Mar 31, 2004, at 1:20 PM, pelagius pelagius wrote:
From: "rick" <microsound@xxxxxxxxx>
I think you missed my point. I said nothing about dumb rubes or the
public in general. Quite the opposite - I was referring to well
educated, die-hard music fans who happen to have blind spots or
predjudices in their tastes. Have you never met someone with an
eclectic music collection and encyclopedic knowledge of music but an
unexplainable distaste for hip-hop? Or a raver who loves anything
electronic but turns his nose up at guitars (I'm sure there are some
on this list)?
I could be way off base but my impression of the rest of the world (as
an american looking out) is that there is much more openness elsewhere
and less of a desire to categorize and segregate. For example, I
can't imagine a magazine with the breadth of the Wire (spanning Derek
Bailey to Missy Elliot) being published in the US.
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