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Re: [microsound] outsider artists
There might be an interesting parallel between Wesley Willis' "broken"
psyche and the "aesthetics of failure" notion.
Or maybe he's just another circus sideshow for us to gawk at until his
novelty expires, at which point he's discarded. I know the only time I
listen to Willis is when I'm exhibiting him for other people, always
within the context of mockery and the "freak show" aesthetic. Without
that fresh novelty, it's unlistenable. I'm not sure I'm ready to
classify what Willis did as art, outside or otherwise. If he was as
mentally ill as his music suggests, than I'm inclined to believe that
the actions he undertook which resulted in his music might have all the
artistic value of slicing oranges, or counting the threads in your
bed-sheets. I'm not sure I see how it can be taken seriously in any
context other than as an odd specimen.
k
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