mat.the.w wrote:
I will be the first to admit love for Paul D Miller, but am completely confused by the presense of his own line of musical history, shared with RZA?
I find his writings "interesting". He played here as a DJ/artist in Halifax a couple of years back, so I checked him out with my girlfriend (now wife) and we tried really hard to understand what he was doing and appreciate it, but it just didn't happen for us. I do experimental music myself, so I figured I knew a bit, but what he did seemed, at least from our vantage point, like a DJ playing two records at the same time and doing so in a sonically-very-displeasing way! Perhaps he is no longer doing this? Andrew
On 2/23/06 3:41 AM, "Terence Caulkins" <Terence.Caulkins@xxxxxxxx> scribed:
Hello everyone,
On the subject of musical derivatives the following diagram of the London Underground is interesting (hopefully no one has posted it yet) : http://image.guardian.co.uk/sys-files/Guardian/documents/2006/02/02/undergroun d5.pdf
The following article talks about the making of the diagram : http://blogs.guardian.co.uk/culturevulture/archives/2006/02/03/going_undergrou nd.html
-Terence
Date: Tue, 21 Feb 2006 18:21:34 +0100 To: microsound <microsound@xxxxxxxxxxxxx> From: Risonanza Magnetica - S <s@xxxxxxxxxxxxxxxxxxxxxxx> Subject: [microsound] Derivative Music Message-Id: <D085C0E2-FAD8-42CD-B33E-C48BB269917E@xxxxxxxxxxxxxxxxxxxxxxx>
Hi everybody,
I'd like to suggest you what do you think about the concept of =20 "derivative music". I'm considering this in the field of post-punk, specifically referred =20=
to the the post-punk scene in Sao Paulo, Brasil, during the eighties, =20=
as "derivative" of No Wave scene in New York.
This concept should be valid also for a bigger part of electronic =20 music field, i'd like to know if someone knows about a specific study =20=
on this=85
Thanks, Simone B
-- Andrew Duke scoring/sound design/source http://andrew-duke.com Cognition Audioworks label [Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com
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