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Re: [microsound] Derivative Music
, at least from our
> vantage point,
> like a DJ playing two records at the same time and
> doing so
> in a sonically-very-displeasing way!
this is a very intriguing question i would like to see
more input on: the background for this is my
involvement in music that is considered very difficult
( sat time extremely quiet or silent, at times
abrasive and at times hard to identify as music, using
instrumenst in subversive ways, hence why we begin to
stop thinking "music" the way that some painters
stopped thinking of representation. but a colleague in
this difficult music said "i make music to make people
happy" but i also know for a fact many doing this
music who would challenge that idea and or completely
deny it any basis in their sound art at all. i come to
take an interest in microsound not from any dance
music background, so my idea is to create sound as
challenge environment for the art of listening and for
causing reflection on the nature of sound. it has
nothing to do with entertainment. so...where do you
other listers stand on this issue?
j.ff gbk
http://www.futurevessel.com/orphansound/
http://www.mattin.org/desetxea.html
http://www.djalma.com
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