Re: [microsound] Help for the beginner and Hello's

[thewade <pdman@xxxxxxxxxxxxxxxx>]

Oh, I feel an A/D discussion coming on...

I know how sampling rates and Nyquist's theorem affect the frequencies 
and how noise adds warmpth and that certain "feel", but I guess I was 
interested more in  retaining detail amongst many signals.

I know one can notch-filter sounds into seperate frequency ranges and 
that works to some degree but there has to be a technique I am missing 
- not pan, frequency, reverb, compression... What am I missing? I will 
just have to play around some more I guess.

What affect does shifing the phase of two similar signals have? That is 
my next project for PD: playing with really short delays.

Thanks,
-thewade

Quoting Kyle Klipowicz <kyleklip@xxxxxxxxx>:

> This is great advice!  I really enjoy playing live computer with other
> musicians, and having the recording done with a regular cassette deck.
> "Casting" digital signals into the analogue realm and then
> redigitizing them is a neat way to add nostalgia (think about how
> awesome Boards of Canada, Iron and Wine, and Andrew Bird sound using
> lo-fi methods as "instruments").
>
> ~Kyle
>
> On 3/4/06, Bill Jarboe <billjarboe@xxxxxxxxxxxxx> wrote:
> >    You might be ready for 'summing' ; this is where different sources
> > are routed together in a coherent , aesthetically pleasing manner. For
> > highlighting a vocal you might try routing the tracks of your
> > composition through a multi-channel interface to an analogue mixing
> > desk , then routing the resulting mix to your master recorder or back
> > to a computer.If you don't have the available audio channels you might
> > try using a send and return on the track in question in order to
> > utilize a tube preamp or print the audio to tape. Perhaps you should
> > actually give it "room' by setting up a microphone or two in a quiet
> > room and recording the solo track.
> >
> >    Another technique I've wanted to try for certain songs (and don't
> > quite have the working equipment to attempt this with any certainty of
> > success) is running the daw from a 4 track tape recording using
> > external clock and recording instruments on the remaining 3 tracks,
> > then summing those tracks with the digital recordings.That might make
> > the daw sound smoother (less jitter) and result  in a nice
> > multi-dimensional thick yet detailed sound.
> >
> >
> >                          hope   this   was   some  help
> >
> >
> >
> > -b
> >
> >
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