Re: [microsound] RCA MK II

[Kyle Klipowicz <kyleklip@xxxxxxxxx>]

That's especially interesting to me, since I currently live in Kansas City,
where UMKC is located!  Will have to check out the Marr Sound Archives (
http://www.umkc.edu/lib/spec-col/marr.html) soon!

On that note, is anyone else on this list in or around Kansas City, and up
for collaboration?

~Kyle

On 10/19/06, shift8 <shift8@xxxxxxxxxxxxx> wrote:
>
>
> a lot of you prolly already know this i'm sure, but the work of Raymond
> Scott follows this thread very well.
>
> http://www.umkc.edu/lib/spec-col/manhattan.htm
>
>
> On Wed, 2006-10-18 at 14:37 -0600, devslashnull wrote:
> > part of the theme is to take something which originated using machinery
> > that was completely specialized in its day... there was only one of
> > them, and have it pass through the "filter" of "mass-ification"...
> > meaning the once elite production (and playback) of these sounds has
> > been transformed via the ubiquity of the internet and a common medium
> > (MP3) into throwaway quality artifacts.
> >
> > there is a certain charm in working with the material intact as it is
> > easily and readily available to anyone.
> >
> > i have no doubt that material of "release quality" could be created by
> > the very creative and skilled group that frequent this list.
> >
> > what i think would be most interesting, is how individuals will
> > interpret the "dance" moniker.
> >
> >
> > On Oct 18, 2006, at 1:04 PM, David Powers wrote:
> >
> > > Yeah, but it means it will never be "release" quality ... I suppose
> > > that I don't fully buy the "aesthetics of failure" argument, I don't
> > > try to make digital reproduce pristine analog sound or "real" sound,
> > > but I do try to produce things that just sound "good". Even when
> > > there's obvious digital glitches, or granular synthesis which is
> > > definitely a micro technique.
> > >
> > > ~David
> > >
> > > On 10/18/06, devslashnull <dev@xxxxxxxxxxx> wrote:
> > >> thats part of the challenge/beauty of it.
> > >>
> > >>
> > >> On Oct 18, 2006, at 12:24 PM, David Powers wrote:
> > >>
> > >> > I'd be down for this ... my only hesitation is that I hate starting
> > >> > with mp3 quality samples for a track ...
> > >> >
> > >> > ~David
> > >> >
> > >> > On 10/18/06, devslashnull <dev@xxxxxxxxxxx> wrote:
> > >> >> maybe there should be a microsound project based on this.
> > >> >>
> > >> >> track 3... use the components to create a microsound "dance
> track".
> > >> >>
> > >> >>
> > >> >> On Oct 18, 2006, at 11:35 AM, Graham Miller wrote:
> > >> >>
> > >> >> > come to think of it the rhythm on side 3 may very well be the
> > >> first
> > >> >> > hard techno beat ever created. check it out and tell me that
> > >> doesn't
> > >> >> > sound like some kind of bangin' loop jeff mills would have
> > >> played?
> > >> >> >
> > >> >> > but in 1955! crazy. primordial techno was already being
> > >> developed in
> > >> >> > secret labs before rock n' roll ever even hit...
> > >> >> >
> > >> >> > g.
> > >> >> > On 18-Oct-06, at 1:30 PM, Graham Miller wrote:
> > >> >> >
> > >> >> >> i'm sampling the narration right now.  perfect for techno:)
> > >> >> >>
> > >> >> >> g.
> > >> >> >>
> > >> >> >> On 18-Oct-06, at 11:02 AM, Kim Cascone wrote:
> > >> >> >>
> > >> >> >>> http://uv201.com/Misc_Pages/rca_synthesizer.htm
> > >> >> >>>
> > >> >> >>> some mp3's at the bottom
> > >> >> >>
> > >> >> >>
> > >> >> >>
> > >> >>
> > >> ---------------------------------------------------------------------
> > >> >> >> To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > >> >> >> For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > >> >> >> website: http://www.microsound.org
> > >> >> >
> > >> >> >
> > >> >> >
> > >> >>
> > >> ---------------------------------------------------------------------
> > >> >> > To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > >> >> > For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > >> >> > website: http://www.microsound.org
> > >> >> >
> > >> >> >
> > >> >> David Fodel
> > >> >> 720-280-3179
> > >> >> 805 East Chester St.
> > >> >> Lafayette, Colorado
> > >> >> 80026
> > >> >>
> > >> >> None are more hopelessly enslaved than those who falsely believe
> > >> they
> > >> >> are free.
> > >> >> -Goethe
> > >> >>
> > >> >>
> > >> >>
> > >> ---------------------------------------------------------------------
> > >> >> To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > >> >> For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > >> >> website: http://www.microsound.org
> > >> >>
> > >> >>
> > >> >
> > >> >
> > >> ---------------------------------------------------------------------
> > >> > To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > >> > For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > >> > website: http://www.microsound.org
> > >> >
> > >> >
> > >> David Fodel
> > >> 720-280-3179
> > >> 805 East Chester St.
> > >> Lafayette, Colorado
> > >> 80026
> > >>
> > >> None are more hopelessly enslaved than those who falsely believe they
> > >> are free.
> > >> -Goethe
> > >>
> > >>
> > >> ---------------------------------------------------------------------
> > >> To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > >> For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > >> website: http://www.microsound.org
> > >>
> > >>
> > >
> > > ---------------------------------------------------------------------
> > > To unsubscribe, e-mail: microsound-unsubscribe@xxxxxxxxxxxxx
> > > For additional commands, e-mail: microsound-help@xxxxxxxxxxxxx
> > > website: http://www.microsound.org
> > >
> > >
> > CommTom
> > Communications of Tomorrow
> > "it's only a day away"
> >
> > unique electronic music for the adventurous ear.
> >
> > http://www.commtom.com
> --
> Mechanize something idiosyncratic.
>
>
>
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>


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