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Re: [microsound] politics of digital audio redux



One would expect endemic egalitarianism, what-with the
digital displacement of the concept of the "original" (if
there really was ever such a thing), but instead we
encounter ever-pristine, elite, digital forms and copies of
content-displaced (if there really was ever such a thing)

I figured it would all inevitably lead to reduced
circumstances: personal, syncretic measures of time
(ie., The 12hr ISBN-JPEG Project -- which I still think
looks-like microsound.)

/:b


brad brace sound:
http://69.64.229.114:8000



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