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Re: [microsound] MUTEK abuse...
why is it that when you go to see 'larger' artists that you somehow
leave more disappointed than when you go to see relatively 'small'
artists. i know this is slightly an off topic musing, however after
being more impressed at mutek by the artists who i would (out of
cognitive necessity) label as 'small' or 'less popular' (delay,
clayton, chartier) as opposed to those i would label as being
'large' (brinkmann, pole). i realize that it's possibly only a i
had higher expectations for the 'larger' artists but could it also
be that the 'larger' artists shape their live performances so that
they would be more appealing to a mass audience? pole, brinkmann
both seemed in my opinion to curve their music to be even more
dance-y than their recorded material is. opinions?
i think one major point is that "larger" artists are "larger" not
necessarily because of talent.. but because of marketing.. so, there
is no real correlation between quality and a "larger" artist...
and, yes, also it has to do with higher expectations.. but hopefully
people will realize that quality of the lesser known artists can be
just as good..
taylor,
--
+ + + + + + + + + + + + + +
taylor deupree/12k
taylor@xxxxxxx
http://www.12k.com
OUT NOW:
- with tetsu inoue "active/freeze" full length CD (12k) (july00)
- ".n" CD (ritornell/mille plateaux) (april/may 00)
- "polr" (rastermusic, spring 2000)
- "place" on Maschinelle Strategeme (ritornell/mille plateaux) (00)
- remixing kim cascone "bubblewarp", on "blue cubism" (digital narcis/japan)
- remixing Goem on "extensie" (goem remix CD)
OUT SOON:
- "continue" MP3/3"CD (fällt/ireland) (june00)
(http://fallt.com/invalidObject/index.html)