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oval and microsound




i am writing a paper on oval and was wanting to ask audio producers on the list...(and thinkers as well) a couple of questions

kim cascone has said that oval '...double-clicked an
entire genre of electronic music...'

*how important do you think oval were in the development in the
current state of experimental digital audio - both for the scene
and in your own production?

*what was it for you that they did?

*if they were not important, or not the most important, then what
figure(s) were and why?

any answers are appreciated.

caleb~k
--
>impermanent.audio
http://laudible.net/impaud