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Re: [microsound] culture industrytraps/opposing commodification of experimental music



 Intervention



Sound Y....




 The question is raised over the discourse of lenguajes, the crossroads in
this case of four basic discourses: The discourse of the boss (that it
expanded from voice acousmatique as a ideology, and the question who´s the
boss?) the discourse of university ( verdad reprimida) , the discourse of
histeria ( pop discourse/mass media ) and the discourse of arts ( the most
paradox the inverse from all between discourse web, the vanitas ).


The spectrum of Y sound is relative easy -


- a new lenguajes and forms to destroy the digital divide.

- work, leisure time and society were restructured.

- the laptop become the central piece of equipment with out walls. In the
case of periferic cities the electronic blackboard will be create a global
interface for educational works.

- a new kind of artistic came to being, as well as a new image and Y sounds;
interactivity, global net works and of course its contrary new forms of
piracy as hackers.

Over the last part the piracy works as emerging economy with an electronic
nervous sistem, a real *deconstruction*. The internet become a structure
with the paradox question:

¿ The dot-com world is just an irrational exuberance an irrational economy
or just a form of unitiy ?.


Alex Casales


¿who are you?