RE: [microsound] renoise

["M-.-n" <nostromo@xxxxxxxxxx>]

I'm not sure to what particular ambient type you make reference to. The most
"over-used" or classic type of change is the chiptune-like arp/thrills where
you modify really fast the pitch of the sound so that although you are on a
monophonic channel, it feels like a chord. What you can control depends on
the tracker's engine and there again it depends on what you are using..;
think of it like a CC implementation for synth. Tracker used to run on very
limited hardware.. running usually 4 to 8 monophonic tracks and limited
memory so all kind of tricks where used to make feel like there was a lot
more :)

> -----Original Message-----
> From: Cyrill Bloch [mailto:cyrill.bloch@xxxxxxxx]
> Sent: dimanche 18 novembre 2007 21:17
> To: microsound
> Subject: Re: [microsound] renoise
>
>
> And can this be applied to all sorts of parameters? ie, a unique
> continuous sound, like in ambient?
>
> C
>
>  le 11/18/07 9:10 PM:
> >> Just
> >> one question about the track you posted: is it done live? what
> is it you
> >> cannot do (or not easily) in a GUI sequencer?
> >>
> >
> > No, it is not live, it's all pre-sequenced. Before I go on, you have to
> > realise that there are not really a 'feature-set' defining trackers
> > uniquely... so depending on the tracker you use, you will be
> able to do some
> > tricks an not others.
> >
> > The feature I was refering to is specific to one of them (I don't think
> > renoise implements that) and allows to create a table that
> express parameter
> > changes over time in a radical & fast manner. These parameter
> can be filter
> > changes, pitch changes, retrigger, playback position and so on.
> Tables can
> > be associated to instruments (i.e. they are fired each time the
> instrument
> > is played) or triggered at anytime to bring some dramatic changes.
> >
> >  I would lie if I said that you couldn't achieve it in a traditional GUI
> > sequencer. With a lot of mouse fiddling, cut and paste and
> would be just a
> > lot less convienient.
> >
> >
> >
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> >
> >
>
>
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