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Re: [microsound] the great depression of experimental music?
Praemedia wrote:
There is only so much one can tackle in a single
e-mail. But more precisely to your point there will be
no practical measure of the difference between the two
without the residue of history. IMHO.
Perhaps, but it's your assertion that the residue of history can only
have significance in the form of (commercially exchanged) recordings
that I disagree with.
Also, it ties access to
the net to musicians' making money off the net,
which I don't think is a
given,
True. But access to the net is not a right or a given
(people tend to forget that). this is true on both
platforms of 'the net' - which are distinctly
different - that is, 'access to' and 'space within'.
Both of those things do have to do with money.
They do, and there is a substantial portion of the planet without
telephone access, let alone net access. They still make music though.
We already work
longer and harder for our necessities
We seem to have more and more necessities as well. I'm not sure though,
that this demonstrates a /need/ for archival of music in a commercial
form, for example.
This I will have to disagree with you on. Though there
wilol always be to some extent things like shareware,
And open-source efforts that match or surpass their commercial counterparts.
one would not have anything near the technological
advances one has today (especially very recently in
the software industry) without greed and money hungry
companies playing a role.
- We wouldn't have an internet at all without the publicly funded
programs that did the initial research.
- If we're all faced with the choice of labour or die, then, yes, much
more productivity will tend to come from the labouring, as opossed to
the, um, dead :)
Still, net or no net, I'm still not convinced that music /needs/
archival, whatever positive side-effects it may have.
Saying that music production, distribution, cd
manufacturing, the idea of the 'label' is evil
Which I haven't done.
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